PŘEDMLUVA

PREFACE

Lenka Křupková

Musicologica Olomucensia vol. 9, (2007):17-28  

BIBLIOGRAFIE PRACÍ IVANA POLEDŇÁKA PUBLIKOVANÝCH OD ROKU 2001

BIBLIOGRAPHY OF WORKS BY IVAN POLEDŇÁK PUBLISHED SINCE 2001

Musicologica Olomucensia vol. 9, (2007):29-34  

IVAN POLEDŇÁK JAKO OLOMOUCKÁ HUDEBNÍ OSOBNOST

IVAN POLEDŇÁK - A PROMINENT PERSONALITY OF MUSIC IN OLOMOUC

Jan Vičar

Musicologica Olomucensia vol. 9, (2007):37-41  

Prof. PhDr. Ivan Poledňák, DrSc. (born on December 31, 1931, in Velké Meziříčí) who has recently celebrated his seventy fifth birthday, is a prominent personality of Czech and European musicology of the second half of the 20th century. Entries in encyclopedias, such as The New Grove Dictionary of Music and Musicians or Die Musik in Geschichte und Gegenwart, prove the fact. The treatise tries to assess Ivan Poledňák's contribution to activities of the Department of Musicology, Faculty of Arts, Palacký University, Olomouc, where he has worked since 1992 as a teacher, musicologist and also as a head of the department (1998-2000, 2003-2007).

POZNÁMKY K FUKAČOVU A POLEDŇÁKOVU CHÁPÁNÍ HUDEBNÍHO POJMOSLOVÍ

NOTES TO THE UNDERSTANDING OF THE MUSICOLOGICAL TERMINOLOGY BY FUKAČ AND POLEDŇÁK

Miloslav Blahynka

Musicologica Olomucensia vol. 9, (2007):43-47  

Music and its terminological system is the publication, in which Jiří Fukač and Ivan Poledňák found the theoretical generalization of music. This process opens the door for the new conceptions in musicological research. Over the known considerations about regularities of musical language development, musical style and structure, they explored the new area. This area is created from the autonomous attributes, which are typical and specific for the recognition of music and has different quality as the recognition in natural science and also in social science. Several ideas from this publication were used in other books written by both authors, Fukač's...

TEN, KTERÝ INSPIROVAL

DERJENIGE, DER INSPIRIERT HAT

Pavel Blatný

Musicologica Olomucensia vol. 9, (2007):49-50  

Mein Beitrag ist praktisch eine "hommage" an Ivan Poledňák weil er immer am Anfang aller meiner schöpferischen Erfindungen als Inspirator und Unterschützer stand, hauptsächlich von meinem "Dritten Strom".

PROBLÉM SÉMANTICKÉ INTERPRETACE RANÝCH DĚL ANTONÍNA DVOŘÁKA

THE PROBLEM OF SEMANTIC INTERPRETATION OF THE EARLY WORKS BY ANTONÍN DVOŘÁK

Miroslav K. Černý

Musicologica Olomucensia vol. 9, (2007):51-62  

For a long time, A. Dvořák used to be described as a spontaneous musician. That was the way the Viennese circles (primarily E. Hanslick) had seen him, and Dvořák himself supported this opinion by a number of statements where he described himself as a naive and provincial musician. Thus, there is a question, whether we may read his composition semantically - and talk about its non-musical content. This issue was raised half a century ago by A. Sychra. He analyzed the material of Dvořák's late symphonies and described Dvořák as a systematic, thoughtful and reflective composer. The analysis of the first five symphonies as well as that of the early string...

UMĚNÍ A KULTURA VE SVĚTLE NOVÉ ŠKOLSKÉ REFORMY

ARTS AND CULTURE IN LIGHT OF THE NEW SCHOOL SYSTEM REFORM

Václav Drábek

Musicologica Olomucensia vol. 9, (2007):63-74  

In 2001, the government initiated school system reform; the concept of the reform presents in the White Book stipulated six primary strategic lines: 1. adaptation of educational and study programs to the living in an information society, 2. lifetime education, 3. efficiency and evaluation of the educational process, 4. promotion of internal changes and openness of educational institutions, 5. changes in the role and approach of educators, and 6. shifting from a centralized management system to self-administration of individual schools. The key objective of the reform is to transform the focus of schooling from presentation of ready-made knowledge to...

NA OKRAJ

IN MARGIN

Eugenie Dufková

Musicologica Olomucensia vol. 9, (2007):75-85  

One of the closest friends of Professor Poledňák during his studies in Brno was Miloš Rejnuš, extremely talented not only as historian but also as dramatist. Unfortunately, his career took an abrupt end during an automobile accident when he was just going to visit a theatre performance in a town near Brno. His principal work, Ur-Hamlet (if Goethe wrote Ur-Faust, so Rejnuš wrote his Kennedyan judge Warren as a ur-history of Hamlet), although almost finished was re-re-written by another playwright-poet, Václav Renč, in form not only of a drama, but also of an opera (The Poison of Elsinor).

HUDBA V DIDEROTOVĚ A D'ALEMBERTOVĚ ENCYKLOPEDII

MUSIQUE DANS L'ENCYKLOPÉDIE D'ALEMBERT ET DIDEROT

Roman Dykast

Musicologica Olomucensia vol. 9, (2007):87-98  

L'étude aborde les liens de la musique avec l'encyclopédisme au milieu du XVIIIe siècle. Il apporte une réflexion sur ce qui motivait l'intérêt si frappant des encyclopédistes pour l'art, la théorie et l'esthétique de la musique. Les considérations argumentent de la lecture des textes de l'époque (Diderot, D'Alembert, Batteux, Rousseau, Rameau) qui peut nous aider à remonter le temps. Le système de l'Encyclopédie est fondé sur l'explication de la génération de nos idées. Pour cette raison il faut consulter Discours préliminaire de D'Alembert qui a vu le jour dans le premier tome de l'Encyclopédie. D'Alembert écrit que le...

"PRÍPAD IVAN POLEDŇÁK" V KONTEXTE SÚČASNEJ SLOVENSKEJ HUDOBNEJ KULTÚRY. PRI PRÍLEŽITOSTI ŽIVOTNÉHO JUBILEA

"DER FALL IVAN POLEDŇÁK" IN DEM KONTEXT DER GEGENWÄRTIGEN SLOWAKISCHEN MUSIKKULTUR (BEI DER GELEGENHEIT EINES LEBENSJUBILÄUMS)

Naďa Hrčková

Musicologica Olomucensia vol. 9, (2007):99-105  

Die Überschrift ist eine Paraphrase des Titels des gleichnamigen Aufsatzes von Ivan Poledňák über den zeitgenössischen tschechischen Komponisten, des vom kommunistischen Regime exkommunizierten Jan Klusák auf dem Melos-Ethos Symposium in Bratislava. Ivan Poledňák war zwar nicht exkommuniziert, ist aber schon während des totalitären Regimes zur wissenschaftlichen und moralischen Autorität geworden. Die Autorin als Teilnehmerin der Avantgarde der 60-er Jahre preist persönlich die Poledňáks Stellungnahme zu diesem, von Regime lange proskribierten Bereich und drückt ihre Bewunderung und Hochachtung ihm gegenüber aus.

OD FOLKLORU K WORLD MUSIC: ČESKÁ SCÉNA

FROM FOLKLORE TO WORLD MUSIC: CZECH SCENE

Helena Chaloupková

Musicologica Olomucensia vol. 9, (2007):107-119  

World music as a typical product of a multicultural society does not have a strong position in the Czech Republic, is a result of complicated and long (mainly politically influenced) process. Ethnic fusions seem to be in their infantile stage there - performances, festivals etc. as well as their appearance in the press are more casual than systematic. It is more about enthusiasm of a few fans than about a business based on strategic plans.The process of infiltration of both local and exotic ethnic elements into Czech popular music has been slow and quite complicated on account of specific pressure from the socialistic governments. Besides the "official"...

SØREN KIERKEGAARD A SMYSLOVÁ/SMYSLNÁ BEZPROSTŘEDNOST HUDBY ANEB DON GIOVANNI WOLFGANGA AMADEA MOZARTA

SØREN KIERKEGAARD AND SENSUOUS/SENSUAL IMMEDIACY OF MUSIC OF WOLFGANG AMADEUS MOZART'S DON GIOVANNI

Jiří Kopecký

Musicologica Olomucensia vol. 9, (2007):121-137  

The Søren Kierkegaard's work provides inexhaustible material above all for philosophers, his perfect acquaintance with theatre however left inspirative ideas for the aesthetics of theatre, music etc. This study deals with the essay The Immediate Stages of the Erotic or the Musical Erotic from the 1st part of Either/Or. For Kierkegaard music represented - as for many other romanticists in the 19th century - a sort of art with extraordinary rich and so far not fully exploited possibilities. In spite of an almost ecstatic admiration of the opera Don Giovanni by Wolfgang Amadeus Mozart and thanks to the method, which overcame pitfalls of Georg Wilhelm...

VARŠAVA - DARMSTADT VÝCHODU. K REFLEXI VARŠAVSKÉHO PODZIMU V ČESKÉ HUDEBNÍ PUBLICISTICE 50. A 60. LET 20. STOLETÍ

DARMSTADT DES OSTENS. ZUR REFLEXION DES WARSCHAU HERBSTES IN DER TSCHECHISCHEN MUSIKPUBLIZISTIK DER 50ER UND 60ER JAHRE DES 20. JAHRHUNDERTS

Lenka Křupková

Musicologica Olomucensia vol. 9, (2007):139-146  

Seit dem Jahre 1956 entwickelte sich in Polen eine außerordentliche Situation, während der sich im Rahmen der zentral gesteuerten Kulturpolitik der kommunistischen Länder auf der Plattform des Festivals "Warschauer Herbst" ein Forum der modernen Musik bildete. Das Forum war gegenüber der westlichen Neuen Musik gezielt positiv geöffnet. In diesem Milieu etablierte sich die polnische kompositorische Schule, derer Repräsentanten bald von außen mit Respekt wahrgenommen wurden. In der damaligen Tschechoslowakei wurde die polnische Musik ziemlich deutlich reflektiert - als Nachweise können Artikel in zeitgenössischen Musikperiodiken dienen. Der Verband tschechoslowakischer...

ZDRAVICE

Václav Kučera

Musicologica Olomucensia vol. 9, (2007):147-149  

VÁCLAV TALICH STUDENTEM NA KONZERVATOŘI (KAPITOLA Z PŘIPRAVOVANÉ MONIGRAFIE O V. TALICHOVI)

VÁCLAV TALICH ALS STUDENT DES KONSERVATORIUMS

Milan Kuna

Musicologica Olomucensia vol. 9, (2007):151-160  

Kunas Abhandlung über das Studium Václav Talichs (1883-1961) auf dem Prager Konservatorium ist ein Kapitel seiner großen Monographie über diesen Künstler, der sich außerordentlich über die Entwicklung der tschechischen Musikinterpretation verdient gemacht hat. Kuna spricht darin über Talichs Eintreten in das Konservatorium im Jahre 1897 unter Mithilfe seiner Freunde von Klatovy, in die Violinklasse von Prof. Jan Mařák. Ohne Mithilfe des Komponisten Antonín Dvořák hätte er aber als armer Student den Aufenthalt in Prag nicht geschafft. Ursprünglich hatte er über eine Solistenlaufbahn als Violinvirtuose erwogen - unter dem Einfluß Jan Kubelíks. Nach vier...

POPULÁRNÍ HUDBA A ČESKÉ ROZHLASOVÉ VYSÍLÁNÍ V LETECH 1923-1938

POPULAR MUSIC AND CZECH RADIO BROADCAST IN THE YAERS 1923-1938

Petr Macek

Musicologica Olomucensia vol. 9, (2007):161-165  

The study describes the role and the representation of popular music in the pre-war dramaturgy of Czech radio broadcast. Having overcome the elementary technical problems, Radiojournal had to consider the needs and preferences of its listeners-licensees and to create a programme scheme that would respect their demands. On the other hand, the management of the radio company from the beginning followed a rather idealistic path of establishing ambitious artistic objectives in the radio's programme. The whole pre-war period of Radiojournal's development was accompanied by constant solving of this crucial conflict in the programme's creation - the one "between...

VARHANNÍ TVORBA MARKA KOPELENTA

WORKS FOR ORGAN BY MAREK KOPELENT

Michal Matzner

Musicologica Olomucensia vol. 9, (2007):167-178  

The study called Works for Organ by Marek Kopelent is concerned with three composer's pieces for organ, which come from three phases of the composer's work: Hallelujah (1967), Morning Eulogy (1978) and Der Gnade Freude (1999). We can say that in terms of moving towards the stimulations of the New Music Kopelent absorbed in the middle of the 1960's Hallelujah for organ is the most radical by any means. The work with the instrument is quite unusual from the point of view of the time period, when it was written, and this has also been reflected in the acoustically sharp picture of the composition.Morning Eulogy may be viewed as a sort of milestone...

DIVERTIMENTO, KASACE A SERENÁDA V ČESKÝCH ZEMÍCH OSMNÁCTÉHO STOLETÍ

DIVERTIMENTO, CASSATION AND SERENADE IN THE CZECH LANDS OF THE 18th CENTURY

Rudolf Pečman

Musicologica Olomucensia vol. 9, (2007):179-188  

Divertimento, cassation and serenade were important techniques of composition within the Czech lands during the 18th century. Divertimento is considered to be a specific genre of musical composition, mainly of a purpose of entertainment. It is noted for its undemanding composition style. The Italians understood divertimento as a composition for entertainment or amusement purposes. However, they also used the word (till the end of the 17th century) to describe collections of entertaining songs. As for French theater of the 17th and 18th centuries, the word "divertissement" was used for the entr'acte compositions in comédie-ballets or in opéra-ballets...

POTŘEBA OSOBNOSTÍ

BEDARF AN PERSÖNLICHKEITEN

Jiří Pilka

Musicologica Olomucensia vol. 9, (2007):189-191  

In jedem Bereich bewegen sich viele sehr eng spezialisierte Fachleute, die manchmal außergewöhnlich vollkommen sind, andersmal stehen sie am Rande der "Fachidiotie". Sehr erforderlich sind breit fachorientierte Persönlichkeiten. In diese Gruppe zählen wir auch Ivan Poledňák, den ich mehr als 50 Jahre kenne. Er widmete sich der Musikpädagogik, Ästhetik, Psychologie, Lexikographie, Organisation der wissenschaftlichen Arbeit (als Leiter der Forschungsabteilung der Tschechoslowakischen Akademie der Wissenschaften) auch dem Jazz. In allen diesen Bereichen gab er interessante Publikationen heraus. Er kann ein schöpferisches Arbeitsmilieu erstellen, dazu...

NĚKOLIK POZNÁMEK K ENHARMONICKÝM ZÁMĚNÁM V KRITICKÉM VYDÁNÍ JANÁČKOVÝCH HRADČANSKÝCH PÍSNIČEK

A FEW NOTES ON ENHARMONIC CHANGES IN THE CRITICAL EDITION OF THE SONGS OF HRADČANY BY JANÁČEK

Karel Steinmetz

Musicologica Olomucensia vol. 9, (2007):193-199  

The article deals with issues concerning music notation in a Complete Critical Edition of the Works of Leoš Janáček. He examines the Female choruses Songs of Hradčany bearing on modality, flexible diatonic and so-called Chords with added dissonance.

CANTILENAE DIVERSE PRO DISTRICTIONE ANIMI ADHIBENDAE DESCRIPTAE ANNO 1745 - NOVA, PAREGRA ET PARALIPOMENA… (PO 20 LETECH)

CANTILENAE DIVERSE PRO DISTRICTIONE ANIMI ADHIBENDAE DESCRIPTAE ANNO 1745 - NOVA, PAREGRA ET PARALIPOMENA… (AFTER 20 YAERS)

Miloš Štědroň

Musicologica Olomucensia vol. 9, (2007):201-210  

Cantilenae diversae pro Distractione Animi adhibendae descriptae Anno 1745 is a manuscript songbook that appeared in Brno in 1745. After the abolition of the Jesuit Order these valuable resources for the study of early Theresian Brno history, found themselves in the Benediktine monastery of Raigern (Rajhrad). Here, in the 1850s, the well known philologist and literary critic Julius Feifalik studied them and analyzed one of the songs of the collection in a short essay (in: Notizen-Blatt… - editor Christian d'Elvert). The author brings further additions and remarks to his 1991-1992 critical edition and makes the first attempt at identifying the...

KAM SE 7. TÓNEM?

WHAT TO DO WITH THE SEVENTH TONE?

Vladimír Tichý

Musicologica Olomucensia vol. 9, (2007):211-220  

The music theory endeavouring for interpretation of the origin of tone systems as derivation of the harmonic series collides to the problem of the 7th tone of the series. The theory evades this tone or ignores it directly, as if it wouldn't exist. Already Pythagoras has deduced the tone system only from the first three tones of the series. Aristoxenos included in his consideration even the 5th tone. This starting point was binding for many generations of music theoreticians. Leonard Euler tried to substantiate the sound structure of the dominant seventh chord with the 7th harmonic tone. But the question of this consideration was evident from a contradiction...

REFLEXIE A ICH AKTUALIZÁCIE: POČIATKY VÝVOJA HUDOBNEJ KULTÚRY

REFLEXIONS AND THEIR ACTULIZATION: MUSICAL MANIFESTATIONS ON THE BRINK OF THEIR DEVELOPMENT

Jozef Vereš

Musicologica Olomucensia vol. 9, (2007):221-229  

In den ausgewählten Zusammenhängen werden die neueren Aktivationsfaktoren dargestellt, die uns helfen, die Erkenntnisse über die Entwicklung des Menschen und über die Entwicklung der Gesellschaft in Bezug auf die anfänglichen musikalischen Ausdrücke zu vertiefen. Die Reflexion orientiert sich auf die alte Kultur in der Entwicklungsbeziehung Mensch, Musik und gesellschaftlicher Fortschritt.

METODA "HÁKU" ANEB JAK SE TAKÉ KOMPONUJE

METHOD OF A "HOOK" OR A SPECIFIC WAY OF COMPOSING MUSIC

Jan Vičar

Musicologica Olomucensia vol. 9, (2007):231-239  

Popular music composers sometimes use a strategy I call method of a "hook" (in the Czech context the term "hook" is meant and probably also understood as slightly ironical). Stephen Citron, a renowned American publicist and an authority on musicals, characterizes the method in his book Songwriting (London, 1986). He defines "hook" as "an idea that' 'sings'." The "hook" motives that can be traced in song writing are typical ideas or ideas of certain distinctive types that make an immediate impression on masses and therefore are commercially successful. Theory of music sees them as phenomena belonging to so called bound melody patterns, as defined in...

BALADA PRO BANDITU. MUZIKÁL PODLE LIDOVÉ POVĚSTI O LOUPEŽNÍKOVI NIKOLOVI ŠOHAJI LOUPEŽNÍKOVI

BALLAD FOR A BANDIT. A MUSICAL BASED ON THE POPULAR RUMOUR ABOUT NIKOLA ŠUHAJ THE PROWLER

Jiří Vysloužil

Musicologica Olomucensia vol. 9, (2007):241-245  

The purpose of this essay is the dramatic and musical analysis of one of the most popular Czech musicals by Milan Uhde and Miloš Štědroň (1975). It is primarily concerned with the way Uhde's word-book varies with the famous novel Nikola Šuhaj loupežník by Ivan Olbracht. The main variations derive from the ideological difference and from the historical context of the work. The study describes Štědroň's music as a synthesis of a western-movie music with some elements of musical folklore of eastern ethnics. Miloš Štědroň himself describes his music as an "eastern", while Milan Uhde adds a whole new dimension to the work, especially in cases where he turns...

IVAN POLEDŇÁK: VÁŠEŇ ROZUMU. SKLADATEL JAN KLUSÁK - ČLOVĚK, OSOBNOST, TVŮRCE

IVAN POLEDŇÁK: DIE PASSION DER VERNUNFT

Alena Burešová

Musicologica Olomucensia vol. 9, (2007):249-251  

Poledňáks Monographie über den Komponisten Jan Klusák ist eine exzellente Monographie über die Persönlichkeit eines Tonsetzer der Gegenwart, dessen Werk zu repräsentativen Werten der tschechischen musikalischen Kultur den zweiten Hälfte des zwanzigsten Jahrhunderts gehört. Ein Bestandteil des Buches ist ein Profil CD.

SEZNAM DIPLOMOVÝCH A BAKALÁŘSKÝCH PRACÍ OBHÁJENÝCH NA KATEDŘE MUZIKOLOGIE FILOZOFICKÉ FAKULTY UNIVERZITY PALACKÉHO V OLOMOUCI V LETECH 1993-2006

LIST OF BACHELOR AND MASTER THESES AT THE DEPARTMENT OF MUSICOLOGY OF PALACKÝ UNIVERSITY IN OLOMOUC IN THE YEARS 1993-2006

Musicologica Olomucensia vol. 9, (2007):255-264  

SEZNAM DIZERTAČNÍCH PRACÍ OBHÁJENÝCH NA KATEDŘE MUZIKOLOGIE FILOZOFICKÉ FAKULTY UNIVERZITY PALACKÉHO V OLOMOUCI V LETECH 1996-2007

LIST OF DISSERTATIONS AT THE DEPARTMENT OF MUSICOLOGY OF THE PALACKÝ UNIVERSITY IN OLOMOUC IN THE YEARS 1996-2007

Musicologica Olomucensia vol. 9, (2007):265-266