Musicologica Olomucensia vol. 4, (1998):155-159

FROM PRAGUE TO THE NORTHERN EMPIRE BORDER. WAYS OF THEATRE DIRECTORS AND THEIR REPERTOIRE IN THE SECOND HALF OF THE 18th CENTURY

Alena Jakubcová

The significant mobility of theatre people and theatre companies which constituted the basis of theatre productions often caused displacement and disappearance of sources, above all the performing scores. The musical shape of the Prague Italian opera is then mostly inaccessible.
In the Brunswick Theater Collection Prague opera scores were identified, proving the continuous contacts between the towns. It is possible to find and describe the routes of people and sources from Prague (or via Prague) to the North. Comparison between repertories, personalia and events of theatre life indicate many connected facts, which call for continued research.

Published: June 11, 1998  Show citation

ACS AIP APA ASA Harvard Chicago Chicago Notes IEEE ISO690 MLA NLM Turabian Vancouver
Jakubcová, A. (1998). FROM PRAGUE TO THE NORTHERN EMPIRE BORDER. WAYS OF THEATRE DIRECTORS AND THEIR REPERTOIRE IN THE SECOND HALF OF THE 18th CENTURY. Musicologica Olomucensia4, Article 155-159. https://doi.org/10.5507/mo.1998.023
Download citation

This is an open access article distributed under the terms of the Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.