RT Journal Article
SR Electronic
A1 Ford, Mike
T1 Processes of spectralization: From Josquin's Missa "L'homme armé" Super Voces Musicales to Haas's Tria ex Uno
JF Musicologica Olomucensia
YR 2015
VO 22
IS 2
SP 7
OP 23
DO 10.5507/mo.2015.010
UL https://musicologica.upol.cz/artkey/mus-201502-0001.php
AB This article sheds new light on Georg Friedrich Haas's borrowing methods through an analysis of Tria ex Uno, which paraphrases a piece published half a millennium earlier: the Agnus Dei II from Josquin des Prez's Missa "L'homme armé" super voces musicales, which employs borrowing techniques itself. I demonstrate the transformation from the Agnus Dei II to Tria ex Uno by revealing Haas's specific spectral paradigms and techniques within a framework of Peter Burkholder's and Richard Beaudoin's work on musical borrowing. My study thus provides a means to understand the spectral treatment of existing music within the discourse on musical borrowing.