RT Journal Article
SR Electronic
A1 Josephson, Nors Sigurd
T1 On Wagner´s Stylistic Imitations
JF Musicologica Olomucensia
YR 2012
VO 15
IS 1
SP 43
OP 78
DO 10.5507/mo.2012.003
UL https://musicologica.upol.cz/artkey/mus-201201-0003.php
AB Wagner's adopted motifs, conceived in an interval-modal way, or quotations, may be seen as a fully modern stylistic feature because it is repeatedly found in the work of contemporary composers, such as Debussy, Stravinskij and Bartók. With the Bayreuth master we often feel as if pure inspiration was almost secondary because it seems to be subordinated to a particular interval material. Similarly, Wagner's increasing propensity for quoting himself, especially in works such as Die Meistersinger and Parsifal, can be understood as a pioneering act in relation to many modern composers, e.g. Gustav Mahler and Alban Berg, whose complex work formed an artistic unity. From this historical aspect Wagner's whole work - in spite of its clear origin in German-French early Romanticism - appears to be an obviously more advanced, progressive predecessor of the modern style of the beginning of the 20th century.