PT  - JOURNAL ARTICLE
AU  - Vičar, Jan
TI  - METHOD OF A "HOOK" OR A SPECIFIC WAY OF COMPOSING MUSIC
DP  - 2007 Jun 11
TA  - Musicologica Olomucensia
PG  - 231--239
VI  - 9
IP  - 1
IS  - 27879186
AB  - Popular music composers sometimes use a strategy I call method of a "hook" (in the Czech context the term "hook" is meant and probably also understood as slightly ironical). Stephen Citron, a renowned American publicist and an authority on musicals, characterizes the method in his book Songwriting (London, 1986). He defines "hook" as "an idea that' 'sings'." The "hook" motives that can be traced in song writing are typical ideas or ideas of certain distinctive types that make an immediate impression on masses and therefore are commercially successful. Theory of music sees them as phenomena belonging to so called bound melody patterns, as defined in Karel Janáček's Melodika (Melodics, Prague 1956). Miloslav Ištvan, a Czech composer, deals with related issues of easy to remember motives, spontaneity, originality and uniqueness of melodies in his handbook Jednohlas v soudobé hudbě (One voice in contemporary music, Brno 1989).Distinctive motives have always permeated melodies. They can be found in fugues, in folk songs, in famous themes of symphonies and even in recent minimalist musical creations. They can also be traced in Czech hit production of the 20th century. A melodic opposite pole of a "hook" is a classical dodecaphonic series, developing in equal rhythmic values, played in levelled dynamics and spread in a tonal space in a pointillistic way.