Musicologica Olomucensia vol. 29, (2019):34-50 | DOI: 10.5507/mo.2019.003
Výzkum nesouladu v melodickém anotování smyčcových kvartet
- Department of Community Health, Memorial University of Newfoundland, St. John's, NL A1C 5S7, Canada
Článek prezentuje analýzu nesouladu v anotování melodií v nové sadě dat obsahující anotace výběru vět z Haydnových a Mozartových smyčcových kvartetů. Pro tento účel byla aplikována následující definice z komunity MIR (music information retrieval): sled monofonních výšek, které může posluchač zpívat nebo vokalizovat na brumendo, je-li požádán o reprodukování polyfonní skladby, a zahrnuje jádrovou identitu skladby. Výsledná sbírka anotací tvoří novou databanku melodicky anotovaných smyčcových kvartetů (Melody Annotated String Quartets (MASQ) dataset), jež je dostupná online. Předmětem diskuse je míra nesouladu mezi anotujícími a jeho typy, stejně jako vliv hudební formy a stylu na vnímání melodie a vhodnost dané definice melodie.
Keywords: anotace, melodie, vnímání, smyčcový kvartet
Investigating Melodic Annotation Disagreements in String Quartets
The article presents an analysis of melody annotation disagreements in a novel dataset containing annotations of a selection of Haydn and Mozart string quartet movements. For this purpose the following definition of melody from the music information retrieval (MIR) community is applied: the sequence of monophonic pitches that a listener might sing or hum when asked to reproduce a polyphonic piece of music, and encompasses the core identity of the piece. The resulting collection of annotations makes up the new Melody Annotated String Quartets (MASQ) dataset, available online. The rates and types of disagreements between annotators are discussed, as well as the influence of musical form and style on melody perception and the suitability of the given definition of melody.
Keywords: annotation, melody, perception, string quartet
Published: June 11, 2019 Show citation
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