Musicologica Olomucensia vol. 25, (2017):34-50 | DOI: 10.5507/mo.2017.003
Zapomenuté klavírní dílo Karla Goldmarka
- Royal College of Music, London, Prince Consort Rd, Kensington, London SW7 2BS, UK
Karl Goldmark se stal váženou postavou vídeňského kulturního života vedle Brahmse a Hanslicka, který rozpoznal nesporné kvality jeho hudby. Zatímco většina Goldmarkových nejvíce populárních děl - například skladba Die Königin von Saba, která mu zajistila světovou slávu - byla uváděna v Evropě i Americe, jeho klavírní odkaz zůstal téměř neznámý. Tento příspěvek se snaží pojednat o tomto repertoáru v kontextu klavírní literatury epochy romantismu. Přináší nové perspektivy do existujících osnov vzdělání a přispívá také k ucelenějšímu porozumění Goldmarkově tvorbě.
Keywords: Rakousko-maďarský původ, Karl Goldmark, klavírní tvorba, romantismus, Vídeň, zapomenutý, 19. století
Forgotten Piano Music of Karl Goldmark
Karl Goldmark became an esteemed figure in Vienna's cultural life alongside Brahms and Hanslick, who recognized the distinctive qualities of his music. Whilst Goldmark's most popular works - for example Die Königin von Saba which earned world fame for him - were performed across Europe and America, his piano music remained almost completely undiscovered. This exploration aims to introduce that repertoire by placing it in the context of Romantic piano literature. This will not only add new perspective to existing scholarship but enhance a more complex understanding of a significant figure's music, linking different styles and eras.
Keywords: Austro-Hungarian, Karl Goldmark, piano music, Romantic, Vienna, forgotten, 19th century
Published: June 11, 2017 Show citation
Selected references
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Go to original source...
- J. A. Fuller Maitland, "Carl Goldmark," in Masters of German Music (London: Osgood, McIlvaine & Co, 1894): 169.
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- Carl Goldmark (1830-1915): Opernkomponist der Donaumonarchie. Ausstellung des Burgenländlischen Ländesmuseums [Exhibition of the Ländesmuseum of Burgenland], ed. Nóra Wellmann (Eisenstadt: Burgenlandische Ländesmuseen, 1996).
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Go to original source...
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Go to original source...
- Frideczky Frigyes, "Goldmark Károly," in Magyar zeneszerzők [Hungarian Composers] (Budapest: Athenaeum Kiadó, 2000).
- Mária P. Eckhardt, "Einflüsse der ungarischen Musik bei Goldmark [Influences of Hungarian Music on Goldmark]", in Vienna Brahms congress, 1983, eds. Biba, Otto and Antonicek, Susanne (Tutzing: Hans Schneider, 1988), 427-436.
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- Michael Struck, "Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms," in Brahms in the Home and the Concert Hall: Between Private and Public Performance, eds. Katy Hamilton and Natasha Loges (Cambridge, UK: Cambridge University Press, 2014).
Go to original source...
- Borgó András, "A zeneszerző akit két nemzet vall magáénak. Goldmark-konferencia Bécsben" [The Composer Who Is Claimed by Two Nations. Goldmark Conference in Vienna], Muzsika 58, no. 1 (January 2015).
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