Musicologica Olomucensia vol. 22, (2015):39-60 | DOI: 10.5507/mo.2015.012
Překlenutí hlubokých propastí: Sovětský Třetí proud v opeře Zvezda i smert' Khoakina Mur'ety skladatele Alexeje Rybnikova
- UCLA Department of Musicology; Visiting Lecturer, Joint Music Program of the Claremont University Consortium, 3614 Empire Dr., #207, Los Angeles, California, 90034, USA
Přestože je rocková opera spojována zejména s autory "západní" provenience, uvedený žánr významným způsobem zasáhl rovněž do tvorby skladatelů v Sovětském svazu. Dílo Alexeje Rybnikova Zvezda i smert' Khoakina Mur'ety (1976) je jedním z prvních příkladů spojení akademické a populární hudby v dané zemi; spojení, které odpovídalo dobovým požadavkům instituce Svazu skladatelů. Reflexe vzniku, produkce a recepce uvedeného díla objasní filozofická a kompoziční východiska hnutí označovaného jako Třetí proud, rovněž důvody oficiální poptávky hudby tohoto typu sovětskými kulturně politickými institucemi.
Keywords: Estráda, Pablo Neruda, rock, rocková opera, populární skladatelé, Rusko, Rybnikov, Sovětský svaz, divadlo, Třetí proud
Bridging Deep Chasms: The Soviet Third Direction in Aleksei Rybnikov's Rock Opera The Star and Death of Joaquin Murieta
Rock opera in the Soviet Union was a phenomenon with obviously Western roots yet inextricably tied up with and enabled by homegrown players and policies. Aleksei Rybnikov's The Star and Death of Joaquin Murieta (1976) is an early example of the merging of academic and popular music desired by the Composers' Union. An examination of the genesis, production, and reception of this Soviet rock opera will shed light on the philosophical and compositional movement called "The Third Direction" - and why it was considered desirable.
Keywords: Estrada, Pablo Neruda, rock, rock opera, popular composers, Russia, Rybnikov, Soviet Union, theater, Third Direction
Published: December 11, 2015 Show citation
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