Musicologica Olomucensia vol. 22, (2015):7-23 | DOI: 10.5507/mo.2015.010
Procesy spektralizace: od Josquinovy skladby Missa "L'homme armé" Super Voces Musicales k dílu Tria ex uno Georga Friedricha Haase
- Rutgers, The State University of New Jersey - New Brunswick, 500 Riverside Dr, Apt 4B, New York, NY, 10027, USA
Studie se zabývá metodou hudebních citátů Georga Friedricha Haase prostřednictvím analýzy skladby Tria ex uno; díla, které parafrázuje hudební kus vzniklý o pět set let dříve - Agnus Dei II ze skladby Missa "L'homme armé" super voces musicales od Josquina des Prez, který sám o sobě vychází z principů přebírání cizího hudebního materiálu. Transformace Agnus Dei II v Tria ex uno je vysvětlena pomocí definice Haasova specifického spektrálního paradigmatu a technik v teoretickém kontextu hudebního citování Petera Burkholdera a Richarda Beaudoina. Studie nabízí nástroje k pochopení spektrálního zpracování existující hudby v rámci diskurzu hudebního citování.
Keywords: Georg Friedrich Haas, intertextualita, Josquin des Prez, hudební citát, spektralismus
Processes of spectralization: From Josquin's Missa "L'homme armé" Super Voces Musicales to Haas's Tria ex Uno
This article sheds new light on Georg Friedrich Haas's borrowing methods through an analysis of Tria ex Uno, which paraphrases a piece published half a millennium earlier: the Agnus Dei II from Josquin des Prez's Missa "L'homme armé" super voces musicales, which employs borrowing techniques itself. I demonstrate the transformation from the Agnus Dei II to Tria ex Uno by revealing Haas's specific spectral paradigms and techniques within a framework of Peter Burkholder's and Richard Beaudoin's work on musical borrowing. My study thus provides a means to understand the spectral treatment of existing music within the discourse on musical borrowing.
Keywords: Georg Friedrich Haas, intertextuality, Josquin des Prez, musical borrowing, spectralism
Published: December 11, 2015 Show citation
ACS | AIP | APA | ASA | Harvard | Chicago | Chicago Notes | IEEE | ISO690 | MLA | NLM | Turabian | Vancouver |
Selected references
- David Osmond-Smith, Playing on Words: A Guide to Berio's Sinfonia (London: Royal Musical Association: 1989).
- François Rose, "Introduction to the Pitch Organization of French Spectral Music," Perspectives of New Music 34, No. 2 (1996): 7.
Go to original source...
- Heinrich Glarean, Dodecachordon (Basel: Heinrich Petri, 1547).
- J. Peter Burkholder, "Borrowing," Grove Music Online, Oxford Music Online (Oxford University Press), accessed September 23, 2015, http://www.oxfordmusiconline.com.proxy.libraries.rutgers.edu/subscriber/article/grove/music/52918pg13.
- J. Peter Burkholder, "The Uses of Existing Music: Musical Borrowing as a Field," Notes Second Series 50, No. 3 (1994): 864.
Go to original source...
- Joseph Straus, "Recompositions by Schoenberg, Stravinsky, and Webern," The Musical Quarterly 72, No. 3 (1986): 301-302.
Go to original source...
- Joshua Fineberg, "Guide to the Basic Concepts and Techniques of Spectral Music," Contemporary Music Review 19, No. 2 (2000): 84.
Go to original source...
- Joshua Fineberg, "Spectral Music," Contemporary Music Review 19, No. 2 (2000): 3.
Go to original source...
- Julian Anderson & Tristan Murail, "In Harmony. Julian Anderson Introduces the Music and Ideas of Tristan Murail," The Musical Times 134, No. 1804 (1993): 321.
Go to original source...
- Julian Anderson, "A Provisional History of Spectral Music," Contemporary Music Review 19, No. 2 (2000): 15-16.
Go to original source...
- Lisa Farthofer, Georg Friedrich Haas: "Im Klange denken" (Saarbrücken: Pfau, 2007).
- Patrick Macey, et al., "Josquin des Prez," in Grove Music Online. Oxford Music Online (Oxford University Press), accessed June 10, 2015, http://www.oxfordmusiconline.com.proxy.libraries.rutgers.edu/subscriber/article/grove/music/14497pg12.
- Richard Beaudoin & Joseph Moore, "Conceiving Musical Transdialection," The Journal of Aesthetics and Art Criticism 68, No. 2 (2010): 106.
Go to original source...
- Richard Beaudoin, "Musical Borrowing and Cavell's 'Way,'" Journal of Music Theory 54, No. 1 (2010): 95.
Go to original source...
- Robert Hasegawa, "Clashing Harmonic Systems in Haas's Blumenstück and in vain," Music Theory Spectrum 37, No. 2 (2015): 210, 218.
Go to original source...
- Robert Hasegawa, "Gérard Grisey and the 'Nature' of Harmony," Music Analysis 28, No. 2-3 (2009): 349.
Go to original source...
- Robert Hasegawa, "Tone Representation and Just Intervals in Contemporary Music," Contemporary Music Review 25, No. 3 (2006): 270.
Go to original source...
- Tristan Murail, "Time and Form in Spectral Music," in Spectral World Musics, ed. Robert Reigle and Paul Whitehead (Istanbul: Pan Yayincilik, 2008).
- Viviana Moskovich, "French Spectral Music: An Introduction," Tempo New Series 200 (1997): 22.
Go to original source...
This is an open access article distributed under the terms of the Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0), which permits use, distribution, and reproduction in any medium, provided the original publication is properly cited. No use, distribution or reproduction is permitted which does not comply with these terms.